← the sampler·pattern detaildraft
atlanta trap · A minor — sub-bass anchor · 140 bpm · 4 bars · 2 tracks

trap · 808 sub + half-time

half-time pocket at 140 (feels like 70). kick on 1+3, snare on 3 only, hi-hat 16ths with a triplet roll. moog 808-sub slides root → 5. tape on for cohesion. this is the atlanta template.

reference · Lex Luger / Metro Boomin era · trap template · 2011
✓ pattern loaded · ready to render

trap · 808 sub + half-time

140 bpm·4 bars·2 tracks·ref 2011

half-time pocket at 140 (feels like 70). kick on 1+3, snare on 3 only, hi-hat 16ths with a triplet roll. moog 808-sub slides root → 5. tape on for cohesion. this is the atlanta template.

● swap instruments · 2 tracks in this pattern▶
  • track 1 · 84 notes · default: TR-808
  • track 2 · 8 notes · default: TR-808 Sub Bass

swap a track's synth for your captured multisamples (e.g. minimoog → Moog Grandmother dubbass). preview to hear it through the real gear instead of the synthesis approximation.

the chain · toggle the signal path

chain order is fixed: drive → tape → delay → plate. matches nick's real signal flow.

what's happening
your midi is parsed in your browser. notes are routed through the selected synthesis engine (real circuit models, no samples). offline audio context renders the result. wav file lands in your downloads. nothing leaves your machine.
coming next
multisample instruments — actual recordings of nick's Mother / Wurli / MS-20 / SP-1200 patches from la burbuja, plus FX chain modeling his real signal path (tape · drive · delay · plate) + room IRs (la burbuja · the spacepit).
the story · the technique · the why

trap is half-time hip-hop with an 808 doing the work of an entire band. the kicks land on 1 and 3, the snare ONLY on 3 (that's the half-time signature — most beginners default to backbeat snare on 2 and 4 which is a different genre entirely). the hi-hats run 16ths with one triplet roll per bar as the ear candy.

the 808 sub IS the song. on the original lex luger / waka flocka records the 808 was a TR-808 sample triggered from an MPC or FL Studio. it lived at the root note for two beats, then SLID up to the 5th for the next two beats. that slide — the portamento between notes — is the whole personality of the bass. without the slide you have a flat tone; with it you have a melodic phrase.

we're using the real 808 engine here for BOTH the drums (kick + snare + hi-hat) AND the pitched sub-bass. the sub uses a special path that takes the 808's BD voice character — pure sine + pitch attack + exponential decay + saturation — and applies it at any MIDI pitch, sustained for the duration of each note. that's the same thing real trap producers do when they pitch-shift sampled 808 kicks to play melodic sub-bass lines.

tape on by default for cohesion — trap mixes lived in the master bus saturation. cassette-warmth ties the hat-rolls, the snare crack, and the 808 sub into one sonic field instead of three competing layers. drive optional but light — the 808 sub voice already has saturation built in.

the common mistake

putting the snare on 2 and 4. that's hip-hop, not trap. trap = snare on 3 ONLY. the half-time pocket is what makes 140bpm feel like 70bpm and lets the 808 breathe.

go deeper

related rooms in the spacepit

keep exploring · ranked by similarity

if you liked this, try

← see all 19 patterns
stay in the loop · newsletter

first dibs on drops

one email when something lands. no spam.